Below is a schedule of all current and known upcoming video series. It includes name, dates of the week and estimated end time (or if upcoming an estimated start time). Some videos may come out late as this is a hobby, and I am not paid for this. Please be patient.
CURRENT SERIES LINEUP Civil War Edition (Mondays) 1/07/2018 ends TBD People Edition (variable) 1/10/2018 ends TBD
The Great War (World War I) (Fridays) 3/14/18 ends TBD
(1915, April 29) “Dardanelles. Steady Advance in Gallipoli, Attacks Beaten Off.” Evening Standard and St. James’s Gazette (London, Greater London, England), pp.2.
(1915, July 7) “Landing in the Dardanelles”. Western Mail (Cardiff, South Glamorgan, Wales), pp. 5 and 7.
Hamilton, Ian. (1915, July 09) “Heroes All, Vivid Story of Gallipoli Landing told by Sir I. Hamilton, the Beach of Death. A Tornado of Fire. Help of the Navy. Fighting Day and Night.” The Devon and Exeter Daily Gazette (Exeter, Devon, England), pp. 6.
(1915, April 29) “The Epic Story of the Dardanelles: A General Advantage”, The Liverpool Echo (Liverpool, Merseyside, England), pp. 6.
(1915, April 29) “Steady Advance in the Dardanelles: Turks’ Novel Defenses”, The Derby Daily Telegraph (Derby, Derbyshire, England), pp 4.
Hamilton, Ian (1915, July 07) “Sir Ian Hamilton’s Story of Heroism of Our Troops: How Lancanshire Fusiliers Hacked Their Way Through.” Manchester Courier and Lancashire General Advertiser, pp 5.
(1915, July 07) “The First Landings in Gallipoli: The Fierce Turkish Resistance.” The Guardian (London, Greater London, England) pp 8.
Books/Visual Imagery
Buchan, John, Nelson’s History of the War Volume 1 Aslan Press 2008
Keegan, John, The First World War, Vintage 2012 Kindle
Music:
Canakkale Turkusu – Ottoman WWI Song, performed by İhsan Ozanoğlu. –and arranged by Muzaffer Sarisozen.
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
(1863, June 16) “Our Baltimore Letter.” Philadelphia Inquirer (Philadelphia, Pennsylvania, USA), pp.4.
(1863, June 18) “That Victory at Winchester.” Richmond Dispatch (Richmond, Virgina, CSA), pp. 1.
(1863, June 27) “Mr. S.G. Chapman’s Letters.” New York Daily Herald (New York, New York, USA), pp. 2.
(1863, June 19) “Philadelphia Press on the Rebel Invasion.” Detroit Free Press (Detroit, Michigan, USA), pp. 2.
(1863, June 17) “The Battle at Winchester.” New York Daily Herald (New York, New York, USA), pp. 10.
MUSIC LICENSING:
THE BATTLE HYMN OF THE REPUBLIC
Composition: William Steffe; Performance: United States Air Forces in Europe Band, Concert Band; Recording: United States Air Force, Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
WHEN JOHNNY COMES MARCHING HOME
Composition: J. Durnal; Performance: USMA Band; Composition Date 1863; Performance Date: 1990; Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Special Thanks to Discerning History (http://discerninghistory.com/) for the use of video clips and info. You folks are great!
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
(1915, May 24) “Fresh Ground Captured: Our Two Mile Advance, the Vindictive Prussian.” The Western Daily Press (Bristol, Avon, England), pp.6.
(1915, May 17) “German Line Broken More Than Two Miles”. The Washington Herald (Washington, District of Columbia, USA), pp. 1.
(1915, May 25) “British Success” The Western Times (Exeter Devon, England), pp. 6.
(1915, May 24)”Festubert Advance, Butchery of Saxons by Own Comrades”, Western Mail (Cardiff, South Glamorgan, Wales), pp. 6.
(1915, May 18)”Titanic Struggle for Ypres: Enemy Taken by Surprise”, Newcastle Daily Journal and Courant (Newcastle-upon-Tyne, Tyne and Wear, England), pp. 12.
Books/Visual Imagery
Buchan, John, Nelson’s History of the War Volume 1 Aslan Press 2008
Keegan, John, The First World War, Vintage 2012 Kindle
William Barnes Wollen’s painting of Lt. Hugh Niven leading the defense of Frezenberg Ridge after his superior officers were all killed or wounded today.
Music:
Ich hatte’ einen Kamraden – Deutsch- Oesterreichisches militär potpourri. Victor, Camden, New Jersey, 1915. Audio. Retrieved from the Library of Congress, http://www.loc.gov/item/jukebox.1993.
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
(1863, June 23) “Engagement Near Brandy Station.” Richmond Enquirer (Richmond, Virgina, CSA), pp.4.
(1863, June 18) “The Rappahannock Cavalry Fight”. Richmond Dispatch (Richmond, Virgina, CSA), pp. 1.
MUSIC LICENSING:
THE BATTLE HYMN OF THE REPUBLIC
Composition: William Steffe; Performance: United States Air Forces in Europe Band, Concert Band; Recording: United States Air Force, Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
WHEN JOHNNY COMES MARCHING HOME
Composition: J. Durnal; Performance: USMA Band; Composition Date 1863; Performance Date: 1990; Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Special Thanks to Discerning History (http://discerninghistory.com/) for the use of video clips and info. You folks are great!
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
(1915, May 13) “On the Aubers Ridge” The Times (London, Greater London, England), pp.26
(1915,May 13) “The British Position in Northern France: Fight for Auburs Ridge”. The Staffordshire Sentinel Daily and Weekly (Stone-on-Trent, Staffordshire, England), pp. 4.
(1915, May 14) “Violent Artillery Bombardment of the British Front” Devon and Exeter Daily Gazette (Exeter, Devon, England), pp. 16.
(1915, May 13)”Fight for Auburs Ridge”, The Staffordshire Sentinel Daily and Weekly (Stone-on-Trent, Staffordshire, England), pp. 2
(1915, May 12)”The Greatest Battle On”, The Kansas City Times (Kansas City, Missouri, USA), pp. 1.
Books/Visual Imagery
Buchan, John, Nelson’s History of the War Volume 1 Aslan Press 2008
Keegan, John, The First World War, Vintage 2012 Kindle
William Barnes Wollen’s painting of Lt. Hugh Niven leading the defense of Frezenberg Ridge after his superior officers were all killed or wounded today.
Music:
Ich hatte’ einen Kamraden – Deutsch- Oesterreichisches militär potpourri. Victor, Camden, New Jersey, 1915. Audio. Retrieved from the Library of Congress, http://www.loc.gov/item/jukebox.1993.
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
Composition: William Steffe; Performance: United States Air Forces in Europe Band, Concert Band; Recording: United States Air Force, Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
WHEN JOHNNY COMES MARCHING HOME
Composition: J. Durnal; Performance: USMA Band; Composition Date 1863; Performance Date: 1990; Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Special Thanks to Discerning History (http://discerninghistory.com/) for the use of video clips and info. You folks are great!
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
(1915, May 13) “German Beaten Off in Two Days’ Battle.” Vancouver Daily World (Vancouver, British Columbia, Canada), pp.7.
(1915, July 13) “The North Countrymen”. The Times (London, Greater London, England), pp. 22.
(1915, May 13) “Eyewitness Tells of Fierce Assault on British Lines” The Tennessean (Nashville, Tennessee, USA), pp. 9.
(1915, May 13)”German Assault on British Line: Eye-Witness Tells of Slaughter around Ypres Saturday and Sunday, Ground Literally Heaped with Dead, British Regain Ground After Being Forced to Fall Back”, Hartford Daily Courant (Hartford, Connecticut, USA), pp. 2.
(1915, May 13)”German Dead Lay in Heaps After Desperate Charges Were Repulsed by British”, The Atlanta Constitution (Atlanta, Georgia, USA), pp. 3.
Books/Visual Imagery
Buchan, John, Nelson’s History of the War Volume 1 Aslan Press 2008
Keegan, John, The First World War, Vintage 2012 Kindle
William Barnes Wollen’s painting of Lt. Hugh Niven leading the defense of Frezenberg Ridge after his superior officers were all killed or wounded today.
Music:
PPCLI Regimental Quick March (Has Anyone Seen the Colonel, Mademoiselle From Armentieres, Tipperary), performed by the PPCLI.
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
Composition: William Steffe; Performance: United States Air Forces in Europe Band, Concert Band; Recording: United States Air Force, Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
WHEN JOHNNY COMES MARCHING HOME
Composition: J. Durnal; Performance: USMA Band; Composition Date 1863; Performance Date: 1990; Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Special Thanks to Discerning History (http://discerninghistory.com/) for the use of video clips and info. You folks are great!
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
(1915, April 29) “Dardanelles. Steady Advance in Gallipoli, Attacks Beaten Off.” Evening Standard and St. James’s Gazette (London, Greater London, England), pp.2.
(1915, July 7) “Landing in the Dardanelles”. Western Mail (Cardiff, South Glamorgan, Wales), pp. 5 and 7.
Hamilton, Ian. (1915, July 09) “Heroes All, Vivid Story of Gallipoli Landing told by Sir I. Hamilton, the Beach of Death. A Tornado of Fire. Help of the Navy. Fighting Day and Night.” The Devon and Exeter Daily Gazette (Exeter, Devon, England), pp. 6.
(1915, April 29) “The Epic Story of the Dardanelles: A General Advantage”, The Liverpool Echo (Liverpool, Merseyside, England), pp. 6.
(1915, April 29) “Steady Advance in the Dardanelles: Turks’ Novel Defenses”, The Derby Daily Telegraph (Derby, Derbyshire, England), pp 4.
Hamilton, Ian (1915, July 07) “Sir Ian Hamilton’s Story of Heroism of Our Troops: How Lancanshire Fusiliers Hacked Their Way Through.” Manchester Courier and Lancashire General Advertiser, pp 5.
(1915, July 07) “The First Landings in Gallipoli: The Fierce Turkish Resistance.” The Guardian (London, Greater London, England) pp 8.
Books/Visual Imagery
Buchan, John, Nelson’s History of the War Volume 1 Aslan Press 2008
Keegan, John, The First World War, Vintage 2012 Kindle
Music:
Canakkale Turkusu – Ottoman WWI Song, performed by İhsan Ozanoğlu. –and arranged by Muzaffer Sarisozen.
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.
Composition: William Steffe; Performance: United States Air Forces in Europe Band, Concert Band; Recording: United States Air Force, Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
WHEN JOHNNY COMES MARCHING HOME
Composition: J. Durnal; Performance: USMA Band; Composition Date 1863; Performance Date: 1990; Public domain, via Wikimedia Commons
Composition:
The author died in 1890, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1927.
Performance:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Recording:
This image or file is a work of a U.S. Air Force Airman or employee, taken or made as part of that person’s official duties. As a work of the U.S. federal government, the image or file is in the public domain in the United States.
Special Thanks to Discerning History (http://discerninghistory.com/) for the use of video clips and info. You folks are great!
This video may contain copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in an effort to advance understanding of accounting, taxation, historical education, etc. we believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law.